The Shirley A. Scott Knitters’ Library

Many of us get our knitting patterns online these days, but Shirley “Shirl the Purl” Scott kicks it old school – and she has amassed an impressive collection of knitting books.

IMG_6222

Shirl has been doing a bit of downsizing lately, and she has donated much of her large collection of knitting books to Spindrift Handknits.

I was lucky enough to be amongst a select group of townie knitters invited to the Spindrift Handknits HQ for the opening of the Shirley A. Scott Knitters’ Library.  

After the customary coffee, tea and cookies, we broke out our knitting, and sat down to listen to Shirl’s short and colourful talk about her collection.

Shirl had a long career as a librarian, and she has assembled a collection of knitting books with that trade’s attention to detail.

Most of her books focus on North Atlantic knitting.

IMG_6220

There are books on Shetland,  Fair Isle and German Sweaters. Estonian and Norwegian Mittens. Swedish socks. American midwestern/Scandinavian jackets. There’s also the scattered Japanese lace manual thrown into the mix.

IMG_6221

It’s all a bit mind blowing.

A few fun facts from Shirl:

American knitters are credited with most of the English language translations of these northern knitting patterns.

Most knitting books are published with a copyright, but not a copyright date, to make knitters less likely to judge whether a pattern is in or out of fashion.

Japanese patterns rely mostly on graphs and numbers, so even if you can’t read Japanese, you can probably figure out a pattern.

Shirl, goddess of knitting that she is, is like the rest of us mere mortal knitters in at least one respect. Although she has amassed this amazing collection of knitting patterns, she has attempted only a handful of them. We all have good intentions.

We finished off the afternoon with a round of knitting trivia and another round of coffee and sweet treats.  

IMG_6218

I feel like I have entered a secret society of sorts; kind of like the Freemasons, but with wool.

The Shirley A. Scott Knitters’ Library is accessible through Spindrift Handknits by request.

 

Advertisements

On Colour

File_002 (5)

“Spring” in Newfoundland is generally fiction, but this year, it’s been especially so. As I write, a mixture of freezing rain and snow is pelting down. Most of the coast has been socked in with pack ice. It’s spectacular, but brutal.

And monochromatic.

File_001 (12)

Life here at the moment is happening in black, white and grey, with a touch of brown. Which, as fashion choices, are pretty good. You can’t go wrong with a wardrobe built on these colours, or lack thereof.

But – you need to accessorize in colour.  In St. John’s in April, that means in both  wardrobe and life in general.

I’ve never had a good grip on working with colour, but desperate times call for desperate measures.

My knitting mentors Shirley Scott and Christine LeGrow are particularly inventive when it comes to incorporating colour into traditional Newfoundland patterns. So I thought of them when I went to pick out some wool to make some mittens and trigger mitts.

I laid a rainbow of Briggs and Little skeins on the floor of the local wool shop, and rearranged them until I found a combo that looked good to me. I picked out a navy (which reminds me of blueberries) a maroon (partridgeberries) and a light brown (dirt, twigs, or something from nature in general).

File_000 (12).jpeg

So I wound them up and set to work.

Voila! Newfoundland berry mitts. Plus some fingerless gloves, in which I clung on to grey as a neutral colour for safety.

File_003 (7).jpeg

On these projects, I had to think quite a bit about which colour should go where. I also wonder whether these mitts would match with their eventual owners` wardrobes.

It’s time for a deep dive into colour theory, methinks.  In the meantime, regardless if these mittens clash with outfits or not, they are an important safety feature in a black, white and grey world.